WRITING FOR BRANDS

WRITING FOR BRANDS

Every brand has a story to tell.

How to stand out and define your offer with a clear voice and strategic brand storytelling.

Writing for your brand starts with telling your story and finding your voice. And every story has characters, drama, obstacles to overcome, a quest or journey to be taken and many lessons to be learned along the way. The power of a brand story told in a unique and memorable voice will bring your brand to life and help it stick in the minds of your most important audiences.

Berliner Benson provides brands with a specialist level of writing rarely found at advertising or design agencies. Led by the company’s founding partner Mike Benson, we offer strategically-driven, creative writing from brand narrative and values to naming, copywriting and everything in between. We've helped new and established brands of all sizes tell their stories, from IBM and Nike, Coca-Cola and Para la Naturaleza to Major League Soccer and Phillips Contemporary Art.

Connecting strategy and design to make meaning and create feeling.

When your brand voice is built out of your strategy and connects with your visual identity, every word can work to achieve your ambition. When you've identified the spirit of your brand and defined your brand voice, you should be able to communicate anything to your different audiences - and they'll know who's talking to them, what you stand for and how you do things.

No matter where you are in a relationship, from recruiting to retaining, guiding your teams and customers with a distinct voice will help to inspire loyalty, trust, engagement and who knows, maybe even love.

Creating conversations and being open to change.

All this storytelling stuff is important. It makes a difference and invites people in. But if you don't listen, you won't hear - your customers, investors, employees and the rest of the world. When you don't hear what other people say, you just keep talking about yourself. Display empathy. Learn the art of starting a brand conversation. Create dialogue. People will believe you're interested in them. Let that be part of your voice.

As your brand grows, your voice will evolve. As language shifts and new media become relevant to your brand, the way it talks, writes and markets to your different audiences will hopefully flex and respond to the changes. The key is to decide what must stay the same, what needs to go and how much to change.

How can we help you tell your brand story?

Here's a list of all the kinds of writing we help people with - not every project needs every part of it and of course this list will change, but at least you get a sense of how we can help:

Strategic Brand Writing

Brand story:
A narrative thread for internal or external audiences that demonstrates the spirit,
beliefs, purpose and promise of the organisation.

Brand idea / purpose:
An internal statement that explains why your organisation exists. Inspires everyone
in the business to understand 'why we are here'.

Brand promise:
An external statement to express what stakeholders, investors, partners, clients and
customers should expect from your brand

Brand positioning:
A set of messages, helping the company clarify what it does, how it does it and who it’s for.

Value proposition:
A detailed description of the value a brand provides for its customers.

Key messaging / conversation guide:
The most important things you want people in your organisation to say about your
brand at a bar / cocktail party / park bench / elevator.

Brand values:
A set of clearly defined characteristics that help to express the brand purpose and guide how your
organisation operates. (Can also be framed as brand behaviours / behaviours, principles or personality)

Brand Voice:
The tone, message and voice of the brand. (Also known as Verbal identity)

Toolkit / guidelines:
In-depth document capturing the spirit of the brand voice and providing guidance
for all written and spoken communications. (Often one section of the overall brand guidelines)

 

Expressive Brand Writing

Brand fiction:
Stories that express your brand in narrative fiction format.

Brand naming:
A structured approach to naming brands, products, services and initiatives.

Brand writing:
Taglines, headlines, key messaging.

Copywriting:
Campaign ideas, script writing and copy for print, digital, audio, video, packaging, products,
services and events.

Branded content / editorial:
Long form writing for digital, audio, video and print media that engages viewers, listeners and readers with information, entertainment and opinion relevant to their interests.

Creative writing:
Films, Podcasts, Poetry, Lyrics, Fiction.

Harris to Paris

On June 20th, 2016 we opened our exhibition Clo Mor - Harris to Paris, celebrating the unique journey of Harris Tweed. With support from the Harris Tweed Authority, the show opened the Edinburgh International Fashion Festival 2016 with attendance by HRH Prince of Wales and HRH The Duchess of Cornwall. Created in collaboration with art director Malcolm Buick and photographer Martin Scott Powell, the show will run at Waldorf Astoria, Edinburgh, Scotland from now until August 31st, 2016.

Thanks to our many partners and sponsors for making this such a special event and here's to continuing the journey!

Find out more www.harristoparis.com

Tweed. A cloth that travels far and wide, but never forgets where home is. Wherever it goes it has a story to tell. Tides may turn and fashions change, but this honourable Harris twine will always stay true to its core. Strong. Luxurious. Traditional. Contemporary.

Fiercely alive as the islands it comes from. From our own doorstep to the farthest flung corners of the world, the Tweed has always found a warm welcome. And with every new generation, new friends are discovering the magical properties of the ‘Big Cloth’.

So here’s a celebration - a story if you will - of the thread that connects disparate, desirable and distant forces all to the Harris Tweed. Our project follows the journey of the Tweed from the crofts of Harris to the couture houses of Paris.

Capturing the people directly connected to the big cloth from Harris to Paris. From shearers to weavers, millers and shippers, the fashion designers, their pattern cutters, makers and models who take the tweed out to an international audience on the runways and through the global press.

 

This is a story about people, about hands. Handling cloth. And handing on tradition. Handing along, from the warp to the weaver to the wearer.

It’s about place, process and product. About people. Making a traditional cloth in traditional ways for the real world. Today and tomorrow.

It’s as much about our Scottish character, our international spirit and our indefatigable knack of knowing how to stick to our guns and make friends in faraway places, flexing towards the future as we need to.

From our hands to yours, we all pass along this heritage. And take it into future. In this tweed, we hold our
spirit and our pride.

Our ‘Big Cloth’. Our Clò Mòr.

Dead cat bounce

Today I learnt a new phrase - Dead cat bounce. Colourful, right? It's a banking description for the slight rise in value a currency or share value has as it plummets to its eventual demise. Much like a cat might bounce as it crashes to its own gnarly feline fate. 

who said bankers don't like metaphors?